The historical setting

Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located about 23 kilometres from Raisen town, the district headquarters and 46 kilometres (29 mi) northeast of Bhopal, capital of Madhya Pradesh. The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument to the historical architecture of India. It was originally commissioned by the Mauryan emperor Ashoka in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Buddha. It was crowned by the chatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of nearby Vidisha.

Mauryan Period (3rd century BCE)

According to one version of the Mahavamsa, the Buddhist chronicle of Sri Lanka, Ashoka was closely connected to the region of Sanchi. When he was heir-apparent and was journeying as Viceroy to Ujjain, he is said to have halted at Vidisha (10 kilometers from Sanchi), and there married the daughter of a local banker. She was called Devi and later gave Ashoka two sons, Ujjeniya and Mahendra, and a daughter Sanghamitta. After Ashoka's accession, Mahendra headed a Buddhist mission, sent probably under the auspices of the Emperor, to Sri Lanka, and that before setting out to the island he visited his mother at Chetiyagiri near Vidisa, thought to be Sanchi.

He was lodged there in a sumptuous vihara or monastery, which she herself is said to have had erected. On the basis of Ashokavadana, it is presumed that the stupa may have been vandalized at one point sometime in the 2nd century BCE, an event some have related to the rise of the Shunga emperor Pushyamitra Shunga who overtook the Mauryan Empire as an army general. It has been suggested that Pushyamitra may have destroyed the original stupa, and his son Agnimitra rebuilt it.

Material and carving technique

Although made of stone, the torana gateways were carved and constructed in the manner of wood and the gateways were covered with narrative sculptures. It has also been suggested that the stone reliefs were made by ivory carvers from nearby Vidisha, and an inscription on the Southern Gateway of the Great Stupa ("The Worship of the Bodhisattva's hair") was dedicated by the Guild of Ivory Carvers of Vidisha. The inscription reads: "Vedisakehi damtakārehi rupakammam katam" meaning "The ivory-workers from Vidisha have done the carving". The reliefs show scenes from the life of the Buddha integrated with everyday events that would be familiar to the onlookers and so make it easier for them to understand the Buddhist creed as relevant to their lives.

Ashoka's original royal foundation was followed by later enlargement and decoration supported by a range of donors. Inscriptions on the railings and gateways record gifts from women and men, monks and nuns, and craft groups; the ivory workers of Vidisha financed part of one gateway. Royal patrons also contributed during later stages, alongside these individual and collective donors. Devotees, both men and women, who donated money towards a sculpture would often choose their favourite scene from the life of the Buddha and then have their names inscribed on it. This accounts for the random repetition of particular episodes on the stupa.

Aniconism

Some of the friezes of Sanchi also show devotees in Greek attire, wearing kilted tunics and some of them a Greek piloi hat. They are also sometimes described as Sakas, although the historical period seems too early for their presence in Central India, and the two pointed hats seem too short to be Scythian. The official notice at Sanchi describes "Foreigners worshiping Stupa". The men are depicted with short curly hair, often held together with a headband of the type commonly seen on Greek coins. The clothing too is Greek, complete with tunics, capes and sandals, typical of the Greek travelling costume. The musical instruments are also quite characteristic, such as the "thoroughly Greek" double flute called aulos. Also visible are carnyx-like horns.

Around 113 BCE, Heliodorus, an ambassador of the Indo-Greek ruler Antialcidas, is known to have dedicated a pillar, the Heliodorus pillar, around 5 miles from Sanchi, in the village of Vidisha. Another rather similar foreigner is also depicted in Bharhut, the Bharhut Yavana (c. 100 BCE), also wearing a tunic and a royal headband in the manner of a Greek king, and displaying a Buddhist triratna on his sword.